{"title":"Impulse!","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cstyle type=\"text\/css\" data-mce-fragment=\"1\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\nKnown as the “house that Trane built” in honour of its best-selling artist John Coltrane, the label produced music exciting in its experimental charge, and spiritual in its priority. Sonny Rollins, Quincy Jones, Max Roach, Ray Charles, Alice Coltrane, Keith Jarrett, Charles Mingus, Sun Ra, and Pharoah Sanders were but a few of the legendary musicians who helped define the label's sound and message. To this day, Impulse continues to proudly wear its distinctive orange-and-black colour scheme, and is home to the new vanguard of creative musicians including Brandee Younger, Shabaka Hutchings and Irreversible Entanglements.","products":[{"product_id":"various-artists-impulse-records-music-message-and-the-moment-2cd","title":"Impulse Records: Music,Message And The Moment (2CD)","description":"\u003cp\u003eCelebrating 60 years of Impulse Records. A Deluxe 2-CD Set with tracks by John Coltrane, Quincy Jones, Charles Mingus, Oliver Nelson, Pharoah Sanders, Archie Shepp and other legendary Impulse Artists. This release includes liner notes by Greg Tate and A.B. Spellman.\u003c\/p\u003e\u003cp\u003eOrange and black. Fire and ebony. Fury and pride. Wearing its signature colors proudly and raising its exclamation point high, Impulse! Records was the go-to label for music that harnessed the searching and political stand-taking of the Sixties. Launched in 1961, Impulse grew to become an inherent part of the era’s velocity as well as its volume, pulling jazz into the age of Black Power, Afrocentricity, and Spiritual Expansion. In its balance of tradition and transition, it bridged the golden age of jazz, that brief window from the late Fifties to the Seventies when players representing every jazz era were alive and active—from Louis Armstrong to Albert Ayler, from the legends of lore to a new generation of energy players. Impulse treated all its musicians as innovators, revolutionaries even—from swing and bebop, to free and Afrofuturist.\u003c\/p\u003e\u003cp\u003eThe performances on\u003cem\u003eImpulse Records: Music, Message and the Moment\u003c\/em\u003edraw their staying power from a wide embrace of styles and sounds, as well as a tight focus on a historic moment when the promise of change was in the air and the message of racial harmony was in the music. Today that music has lost none of its relevance: the promise still deferred, the message still on time.\u003c\/p\u003e\u003cp\u003e“...A collection celebrating Impulse’s deep-digging support of artists who scored We The People’s SingFight-ing for social political and artists’ self-determination in a critical time of beatdowns, breakthroughs and cosmically-centered aspirations.”\u003c\/p\u003e\u003cp\u003e- Musician\/Essayist Greg Tate\u003c\/p\u003e\u003cp\u003e“In many ways, this collection is a mural in sound of the activist’s stimulation of the Sixties and Seventies…we need this scope of sound again: We need the horns to scream of stout resistance, and we need the bands to sing to us of the righteous beauty of our souls.”\u003c\/p\u003e\u003cp\u003e- Journalist\/Author A.B. 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Produced by Bob Thiele and recorded by Rudy Van Gelder.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-US; mso-fareast-language: DE;\"\u003eVERVE BY REQUEST SERIES: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing\/Detroit, Single Sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSoul Sisters  (Impulse, 1964)\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003c\/p\u003e\n\u003cp\u003eA1. Que Baby – 4:05\u003cbr \/\u003eA2. Sadie Green – 4:30\u003cbr \/\u003eA3. Hey Sonny Red – 5:58\u003cbr \/\u003eB1. Melba\u0026#039;s Minor – 6:26\u003cbr \/\u003eB2. Funky Bob (Grant Green) – 4:14\u003cbr \/\u003eB3. 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In addition to mainly originals from Chico Hamilton\u0026#039;s pen, the spirited boogaloo \u0026#34;For Mods Only\u0026#34;, composed by free jazz saxophonist Archie Shepp, making a rare appearance on piano on the track, deserves special mention.\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin; mso-bidi-font-family: \u0026#039;Times New Roman\u0026#039;; mso-bidi-theme-font: minor-bidi; mso-ansi-language: EN-US;\"\u003eVERVE BY REQUEST SERIES: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing\/Detroit, Single Sleeve.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr \/\u003eThe Dealer  (Impulse, 1966)\u003c\/p\u003e\u003cp\u003eTracklist:\u003c\/p\u003e\u003cp\u003eA1. The Dealer – 6:21\u003cbr \/\u003eA2. For Mods Only  – 4:25\u003cbr \/\u003eA3. A Trip – 6:35\u003cbr \/\u003eA4. 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While initial reviews to the album were lukewarm upon release, looking at it in the context of her larger body of work, \u0026#34;A Monastic Trio\u0026#34; serves as a delightful foreshadowing of what was to come.\u003c\/p\u003e\u003cp\u003eVERVE BY REQUEST SERIES: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing\/Detroit, Single Sleeve.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eA Monastic Trio (1968)\u003c\/p\u003e\u003cp\u003eA1. Ohnedaruth\u003cbr \/\u003eA2. Gospel Trane\u003cbr \/\u003eA3. I Want To See You\u003cbr \/\u003eB1. Lovely Sky Boat\u003cbr \/\u003eB2. Oceanic Beloved\u003cbr \/\u003eB3. 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Instead, it offers an intriguingly wide range of relatively concise ideas resulting in something of an anomaly in Sanders\u0026#039; prime period.\u003cbr \/\u003e\u003cbr \/\u003eVERVE BY REQUEST SERIES: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing\/Detroit, Gatefold Sleeve.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThembi (1971)\u003c\/p\u003e\u003cp\u003eA1. Astral Traveling\u003cbr \/\u003eA2. Red, Black \u0026amp; Green\u003cbr \/\u003eA3. Thembi\u003cbr \/\u003eB1. Love\u003cbr \/\u003eB2. Morning Prayer\u003cbr \/\u003eB3. 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The following day, saxophonist Frank Foster and pianist Billy Greene joined in to round out the rest of the cuts including “Elvin’s Guitar Blues,” which features Jones’ only recorded guitar performance.\u003c\/p\u003e\u003cp\u003eVERVE BY REQUEST SERIES: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing\/Detroit, Gatefold Sleeve\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eHeavy Sounds (1968)\u003c\/p\u003e\u003cp\u003eA1. Raunchy Rita\u003cbr \/\u003eA2. Shiny Stockings\u003cbr \/\u003eA3. M. E.\u003cbr \/\u003eB1. Summertime\u003cbr \/\u003eB2. Elvin\u0026#039;s Guitar Blues\u003cbr \/\u003eB3. 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Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEast Broadway Run Down (1967)\u003c\/p\u003e\n\u003cp\u003eA1. East Broadway Rundown\u003cbr \/\u003eB1. Blessing In Disguise\u003cbr \/\u003eB2. 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