{"title":"Wayne Shorter","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cstyle type=\"text\/css\" data-mce-fragment=\"1\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\nAs a sideman he was a member of Art Blakey’s Jazz Messengers, Miles Davis’s Second Great Quintet and worked extensively with leading players from the late 1950s onwards. He is notable for working in a number of jazz styles; from hard bop to latin, and in 1970 co-founded the fusion group Weather Report. As a bandleader his solo albums “Juju”, “Speak no Evil” (both 1964) and “Adam’s Apple” (1966) are amongst the most enduring jazz records of the 20th century and demonstrate his skill as a composer. Shorter was a committed Buddhist.","products":[{"product_id":"wayne-shorter-speak-no-evil","title":"Speak No Evil","description":"\u003cp\u003e1964 was one of the most momentous years in the musical life of \u003cstrong\u003eWayne Shorter\u003c\/strong\u003e. Early in the year the \u003cstrong\u003esaxophonist\u003c\/strong\u003e was still a member of Art Blakey \u0026amp; The Jazz Messengers, appearing on classic Blue Note albums like Free for All and Indestructible. Shorter made his own auspicious label debut that spring with Night Dreamer and quickly recorded the impressive follow-up JuJu.\u003c\/p\u003e\u003cp\u003eThat summer he joined the Miles Davis Quintet, cementing a line-up that would become one of the seminal bands in jazz history. And when Shorter entered Van Gelder Studio with \u003cstrong\u003eFreddie Hubbard, Herbie Hancock, Ron Carter, \u003c\/strong\u003eand\u003cstrong\u003e Elvin Jones\u003c\/strong\u003e on Christmas Eve 1964 they created a masterpiece with Speak No Evil, a transcendent set of six Shorter originals including the swinging title track, “Witch Hunt,” and sublime ballad “Infant Eyes.”\u003c\/p\u003e\u003cp\u003eBLUE NOTE CLASSIC VINYL EDITION: mono, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal, padded inner sleeves.\u003c\/p\u003e\u003cp\u003eTracklist\u003c\/p\u003e\u003cp\u003e1 A1: Witch Hunt\u003c\/p\u003e\u003cp\u003eA2: Fee-Fi-Fo-Fum\u003c\/p\u003e\u003cp\u003eA3: Dance Cadaverous\u003c\/p\u003e\u003cp\u003eB1: Speak No Evil\u003c\/p\u003e\u003cp\u003eB2: Infant Eyes\u003c\/p\u003e\u003cp\u003eB3: Wild Flower\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eTenor Saxophone: Wayne Shorter, Trumpet: Freddie Hubbard, Piano: Herbie Hancock, Bass: Ron Carter, Drums: Elvin Jones\u003c\/p\u003e","brand":"Wayne Shorter","offers":[{"title":"OS","offer_id":45545988030516,"sku":"135007000","price":28.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0674\/4876\/6516\/files\/Wayne-Shorter_Speak-No-Evil_Blue-Note-Classic-Vinyl_s135007_o201492_a298065_v12054031.ef2fd9cc.jpg?v=1743690343"},{"product_id":"wayne-shorter-the-all-seeing-eye","title":"The All Seeing Eye","description":"\u003cp\u003eOn October 15, 1965, tenor saxophone master and composer Wayne Shorter recorded The All Seeing Eye, a brilliant and ambitiously multi-layered album for Blue Note. Shorter’s goal for the album was to use “a wider range of colours and textures” while continuing his explorations of “life and the universe and God.”\u003c\/p\u003e\u003cp\u003eJoining Shorter in his quest are Freddie Hubbard on trumpet, Grachan Moncur III on trombone, James Spaulding on alto saxophone, Herbie Hancock on piano, Ron Carter on bass, Joe Chambers on drums, and, on one track, Wayne’s brother Alan Shorter on flugelhorn.\u003c\/p\u003e\u003cp\u003eBlue Note Records’ Tone Poet Audiophile Vinyl Reissue Series is produced by Joe Harley and features all-analog, mastered-from-the-original-master-tapes, 180g audiophile vinyl reissues in deluxe gatefold packaging. Mastering is by Kevin Gray (Cohearent Audio) and vinyl is manufactured at Record Technology Incorporated (RTI).\u003c\/p\u003e\u003cp\u003eTracklist:\u003c\/p\u003e\u003cp\u003eA1. The All Seeing Eye    \u003cbr \/\u003eA2. Genesis    \u003cbr \/\u003eB1. Chaos    \u003cbr \/\u003eB2. 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All are in top form, especially on challenging reimaginations of the title track and ‘Masquelero’, both from his time with the 1960’s Miles Davis Quintet.\u003c\/p\u003e\n\n\u003cp\u003eVERVE BY REQUEST SERIES: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing\/Detroit, gatefold sleeve.\u003c\/p\u003e\n\n\u003cp\u003eTracklist:\u003c\/p\u003e\n\n\u003cp\u003eFootprints Live! (2002)\u003c\/p\u003e\n\n\u003cp\u003eSide A\u003cbr \/\u003e\n1. Sanctuary\u003cbr \/\u003e\n2. Masqualero\u003c\/p\u003e\n\n\u003cp\u003eSide B\u003cbr \/\u003e\n3. Valse Triste\u003cbr \/\u003e\n4. Go\u003c\/p\u003e\n\n\u003cp\u003eSide C\u003cbr \/\u003e\n5. Aung San Suu Kyi\u003cbr \/\u003e\n6. Footprints\u003c\/p\u003e\n\n\u003cp\u003eSide D\u003cbr \/\u003e\n7. Atlantis\u003cbr \/\u003e\n8. 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Recorded in August 1970, the mesmerizing Odyssey of Iska would be the last release of Shorter’s early Blue Note period. The album was a tribute to his daughter Iska—who had been born the year before with severe brain damage—with four immersive Shorter compositions portraying a variety of moods: “Wind,” “Storm,” “Calm,” and “Joy.” The album’s centerpiece is an extended version of Bobby Thomas’ Brazilian influenced piece “De Pois do Amor, o Vazio” (After Love, Emptiness), foreshadowing Shorter’s growing interest in Brazilian music which he would explore further in the years to come. Shorter’s soprano and tenor saxophones are the lone horns heard on the album which featured Gene Bertoncini on guitar, David Friedman on vibraphone and marimba, Ron Carter and Cecil McBee on bass, and Alphonse Mouzon, Billy Hart, and Frank Cuomo contributing drums and percussion.\u003c\/p\u003e\u003cp\u003eBLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a single sleeve with deluxe tip-on jacket. \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr \/\u003eOdyssey of Iska (1971)\u003c\/p\u003e\u003cp\u003eA1. Wind\u003cbr \/\u003eA2. Storm\u003cbr \/\u003eA3. Calm\u003c\/p\u003e\u003cp\u003eB1. De Pois Do Amour, O Vazio (After Love, Emptiness)\u003cbr \/\u003eB2. 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Contains the albums: Doin’ Allright (1961) \/ Dexter Calling (1961) \/ A Swingin\u0026#039; Affair (1964) \/ One Flight Up (1964) \/ Gettin\u0026#039; Around (1965).\u003c\/p\u003e","brand":"Wayne Shorter","offers":[{"title":"OS","offer_id":46790948159540,"sku":"516213000","price":14.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0674\/4876\/6516\/files\/Wayne-Shorter_5-Original-Albums-5-CD-Set_CD-Box_s516213_o7120653_a561011_v13309623.a0ca2d17.jpg?v=1749207406"},{"product_id":"wayne-shorter-the-soothsayer","title":"The Soothsayer","description":"\u003cp\u003eWayne Shorter’s formidable and prolific output in 1964 produced his first three Blue Note albums as a leader each of which would become instant classics upon their release: \u0026#34;Night Dreamer\u0026#34;, \u0026#34;Juju\u0026#34; and \u0026#34;Speak No Evil\u0026#34;. That fact may explain why, as the saxophonist continued to churn out Blue Note sessions at a remarkably high level in 1965, the label’s release schedule couldn’t keep pace with Shorter’s creative burst, which resulted in his next two recordings — \u0026#34;The Soothsayer\u0026#34; and \u0026#34;Etcetera\u0026#34; — being shelved and not released until 1979 and 1980, respectively. It was just two months after recording \u0026#34;Speak No Evil\u0026#34; that Shorter was back in Van Gelder Studio to record \u0026#34;The Soothsayer\u0026#34; with a sextet featuring trumpeter Freddie Hubbard, alto saxophonist James Spaulding, pianist McCoy Tyner, bassist Ron Carter, and drummer Tony Williams. The album captured deeply engaged performances of five beguiling Shorter compositions including \u0026#34;Lost,\u0026#34; \u0026#34;Angola,\u0026#34; and the stunning ballad \u0026#34;Lady Day,\u0026#34; a tribute to Billie Holiday. The album concludes with Shorter’s arrangement of \u0026#34;Valse Triste\u0026#34; by the Finnish classical composer Jean Sibelius.\u003c\/p\u003e\u003cp\u003eThis Blue Note Classic Vinyl Edition is Stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.\u003c\/p\u003e\u003cp\u003eTracklisting:\u003cbr \/\u003eThe Soothsayer (1965)\u003c\/p\u003e\u003cp\u003eA1. Lost\u003cbr \/\u003eA2. Angola\u003cbr \/\u003eA3. The Big Push\u003cbr \/\u003eB1. The Soothsayer\u003cbr \/\u003eB2. Lady Day\u003cbr \/\u003eB3. 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Bangoon (written by Hank Jones)  5:05\u003cbr \/\u003eBonus track from Cannonball Adderley – “Somethin’ Else”\u003cbr \/\u003eFeaturing: Cannonball Adderley, alto sax; Miles Davis, trumpet; Hank Jones, piano; Sam Jones, bass; Art Blakey, drums\u003cbr \/\u003eRecorded March 9, 1958, Rudy Van Gelder Studio, Hackensack, NJ\u003c\/p\u003e\u003cp\u003e2. Jean de Fleur (written by Grant Green)  8:09\u003cbr \/\u003eAlternate take from Grant Green – “Idle Moments”\u003cbr \/\u003eFeaturing: Grant Green, guitar; Joe Henderson, tenor sax; Bobby Hutcherson, vibes; Duke Pearson, piano; Bob Cranshaw, bass; Al Harewood, drums\u003cbr \/\u003eRecorded November 4, 1963, Rudy Van Gelder Studio, Englewood Cliffs, NJ\u003c\/p\u003e\u003cp\u003e3. Dance Cadaverous (written by Wayne Shorter)  6:37\u003cbr \/\u003eAlternate take from Wayne Shorter – “Speak No Evil”\u003cbr \/\u003eFeaturing: Wayne Shorter, tenor sax; Freddie Hubbard, trumpet; Herbie Hancock, piano; Ron Carter, bass; Elvin Jones, drums.\u003cbr \/\u003eRecorded December 24, 1964, Rudy Van Gelder Studio, Englewood Cliffs, NJ.\u003c\/p\u003e\u003cp\u003eSIDE B\u003cbr \/\u003e1. Moanin’ (written by Bobby Timmons)  9:19\u003cbr \/\u003eAlternate take from Art Blakey and the Jazz Messengers – “Moanin’”\u003cbr \/\u003eFeaturing: Art Blakey, drums; Lee Morgan, trumpet; Benny Golson, tenor sax; Bobby Timmons, piano; Jymie Merritt, bass\u003cbr \/\u003eRecorded October 30, 1958, Rudy Van Gelder Studio, Englewood Cliffs, NJ\u003c\/p\u003e\u003cp\u003e2. On the Sunny Side of the Street (written by Fields, McHugh)  5:45\u003cbr \/\u003eBonus track from Jimmy Smith – “Back At The Chicken Shack”\u003cbr \/\u003eFeaturing: Jimmy Smith, organ; Stanley Turrentine, tenor sax; Kenny Burrell, guitar, Donald Bailey, drums\u003cbr \/\u003eRecorded April 25, 1960, Rudy Van Gelder Studio, Englewood Cliffs, NJ\u003c\/p\u003e\u003cp\u003e3. Lover (written by Rodgers, Hart)  7:01\u003cbr \/\u003eBonus track from Sonny Clark – “Cool Struttin’”\u003cbr \/\u003eFeaturing: Sonny Clark, piano; Art Farmer, trumpet; Jackie McLean, alto sax, Paul Chambers, bass; Philly Joe Jones, drums\u003cbr \/\u003eRecorded January 5, 1958, Rudy Van Gelder Studio, Hackensack, NJ.\u003c\/p\u003e","brand":"Various Artists","offers":[{"title":"OS","offer_id":47018916773940,"sku":"517549000","price":29.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0674\/4876\/6516\/files\/Various-Artists_Alts-N-Outs-The-Other-Side-of-Blue-Note_1LP_s517549_o7494687_a581766_v13513862.e7277d4d.jpg?v=1754987947"},{"product_id":"michel-petrucciani-wayne-shorter-power-of-three-116555","title":"Power of Three","description":"\u003cp class=\"MsoNoSpacing\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\"\u003eMichel Petrucciani\u0026#039;s second Blue Note release \u0026#34;Power Of Three\u0026#34; featured the miraculous French pianist in a duo with guitarist Jim Hall and a trio that added saxophonist Wayne Shorter. 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